Thursday, 30 October 2008

Becoming Jane pictures from DeviantART

I just subscribed to DeviantART a week ago and found the site surprisingly full of talented people! And I just - out of curiosity - browsed for Jane Austen and Becoming Jane as well, and found several nice pictures or photo-modifications to post here.

Starcrossed by Netherfield:


Remembering You by Netherfield:



Becoming Jane by Pozsy:


BJ sketch from Elara:


What do you think? I think they're very lovely. It's quite a distracting site, DeviantART is, rather too good for procrastination!

Monday, 27 October 2008

Pride and Prejudice- The new musical

I received this months addition of Jane Austen's Regency World magazine and was very excited to see that there has been a one-night launch of a Pride and Prejudice musical at the Eastman Theatre in Rochester, New York on October 21.

The show, written by Lindsay Warren Baker and Amanda Jacobs who discovered their love of Jane Austen 8 years ago, is aiming to open on Broadway in November 2009.
The recent production was directed by Mark Lamos, a Tony award nominee, and he is also going to be directing the Broadway show.

The musical was originally premiered at The Ohio Light Opera in summer 2006 and directed by Steven Daigle.




Below is an extract of one review taken from the Broadway site:

Our culture's fascination with this story and its romantic ideology is well established and well deserved, but given its widespread goodwill, the opportunity to create a piece that tells that story "differently" could very well lead to audience malcontent. Honestly, I wasn't quite sure what to expect when I first heard about this piece. On one hand, I thought "good idea if done right" and on the other hand I thought "this could be tragic". Well, last night proved that the concept for this new piece is strong and has some serious legs. Despite being about a half hour too long in the first act, the piece holds together well with a robust score, here beautifully played by the Rochester Philharmonic Orchestra, some really memorable melodic tunes, the heart warming story, a talented cast, and the dynamics of the imagination. The convention of Jane Austen writing the actual story of Pride and Prejudice along with us watching the development of the plot and characters are cleverly intertwined. Jane addresses the characters and the characters address Jane -sometimes asking for certain plot points to happen or relating their disdain for their prescribed fate. The convention is well used and provides an imaginative view into the creation of the characters and their story. The first half of the first act uses the convention sparingly and perhaps too sparingly, but the rest of the piece accelerates the interactions. I enjoyed the convention because it consistently reminded you that the story came to life from her imagination and heart - choices, love, hope, society, etc.
Overall, the concert was a success and as with the quality of the material and the talented cast, it might be said, in native Rochesterian Susan B. Anthony’s own words, that “failure (was) impossible”. I am well aware that the piece needs additional work, but with some well thought out edits and structure changes, this homegrown piece may just find its way to the great white way.

Sounds very positive indeed. Let me know if any of you grabbed the opportunity to see this delight.

For more info, click here

Pic: Taken from Sept/Oct 20008 (Issue 35) Jane Austen Regency World magazine (the official magazine of the Jane Austen centre, Bath, UK)


Update 30 October 2008:
Click Pride and Prejudice Broadway for the official site of this production (thanks Bilbo for the tips!)

Sunday, 26 October 2008

Quote of the Week- Week 27

Sorry this post has come a day late.




I absolutely adore Marianne Dashwood from Sense and Sensibility and this week I have chosen one of her quotes. I love her for her strength in spirit and pure and vulnerable sensitivity.

In chapter 17, there is a discussion between Edward Ferrar's and the Dashwood family. They are talking about the value and importance of money. There is a great line, although it is not my chosen quote of the week, spoken by Marianne to her sister Elinor, "money can only give happiness where there is nothing else to give it. Beyond a competence, it canm afford no real satisfaction as far as mere self is concerned."

Marianne is so sure of her beliefs and what is right and wrong. I love the confidence even with youth and inexperience; I really respect her courage.

Edward continues with surmising what he thinks that Elinor and Marianne would do with a large sum of money. He assumes without doubt that Mariane will buy all the books in london to "prevent them from falling into unworthy hands" due to her reliable character and associated principles. She retorts with:

"At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear anything to change them. "


I just love this sheer statement. Its so certain and unwavering and at the tender age of seventeen. It makes me chuckle, yet love her more every time I read it. Maybe I see some of her in me....!



Pic 1: Marianne and Elinor- Kate Winslet and Emma Thompson in the 1995 film Sense and Sensibility
Pic 2: Marianne- Kate Winslet in the 1995 film Sense and Sensibility

Saturday, 18 October 2008

Quote of the Week 26 by Linda

I have this favorite from Persuasion, Chapter 18. Anne’s emotions have run amok after she reads the letter from Mary concerning the engagement of Louisa and Benwick. She realizes that her very own Captain Wentworth is a free man.

Mary need not have feared her sister's being in any degree prepared for the news. She had never in her life been more astonished. Captain Benwick and Louisa Musgrove! It was almost too wonderful for belief, and it was with the greatest effort that she could remain in the room, preserve an air of calmness, and answer the common questions of the moment. Happily for her, they were not many. Sir Walter wanted to know whether the Crofts travelled with four horses, and whether they were likely to be situated in such a part of Bath as it might suit Miss Elliot and himself to visit in; but had little curiosity beyond.

Persuasion
Chapter 18

Did you catch that phrase: “with greatest effort”? It never ceases to amaze me how dear Jane can express our most intimate emotions without all the “explicitness”. I am sure that most of us have felt such passions though under different circumstances at some time in our lives, and can in that way relate to them. I hardly think that unless she, herself, knew of such feelings that she would have been able to write about them.


I just don’t think a person can simply pull it out of the air. Brava, Jane!

Linda the Librarian
Pic: Persuasion 2007 from: Post Gazette

Tuesday, 14 October 2008

Jane Austen Short Story Award 2009!

Chawton House Library has just announced a Jane Austen short story competition to celebrate 'the bicentenary of Jane Austen’s arrival in the Hampshire village of Chawton – where she spent the most productive years of her literary life'.

It looks really exciting! Here's part of the blurb from the Chawton House Library website:

Our intention is to publish the very best short fiction inspired by Jane Austen or Chawton House – a place she knew well.

We are looking for short stories of 2,000-2,500 words in length. The inspiration for your story can be taken from any theme in Jane Austen’s novels: it might even be a character or a single sentence that sets your creative juices flowing. Or perhaps your imagination will be fired by the Elizabethan mansion, Chawton House, where Jane Austen and her family often gathered, and now houses a rare collection of early women’s writing.

Stories can have a historical or a contemporary setting – anything goes as long as it is well written and you state on the entry form exactly what inspired you to write it.
...

First prize: £1,000. Two runners up: £200 each. All three finalists will also win a week’s writers’ retreat at Chawton House. Fifteen other shortlisted authors will receive £40 plus publication in the winners’ anthology.

The closing date for entries is the 31st March 2009.


What are you waiting for?! Head over to Chawton to download a PDF entry form and read the rules and regulation. :D

I have to say, I love the broad theme of the competition - it is so broad it tempts me to have a go ... inspiration taken from a theme, or a sentence, or the great house itself - I love that! I am not a fan-fiction person myself (sorry, no offense!!) so I'm very excited.

Pic: Chawton House viewed from the South Lawn from: Chawton House Library

Saturday, 11 October 2008

Jane Austen Quote - Week 25

This week my quote is from one of Jane's letters to Cassandra (October 27, 1798):

"I had a very pleasant evening, however, though you will probably find out that there was no particular reason for it; but I do not think it worth while to wait for enjoyment until there is some real opportunity for it."

I was in the mood to post an uplifting quote from Jane this week, and when I read this, I knew I had found it. I needed this - I needed to be reminded to enjoy life just for the sake of it - and never to lose that joy. It's so easy to be ground down by life (er, and exams), and I'm so grateful for Jane's reminder, in the form of this beautiful quote. What a wonderful, wise woman. She found joy in herself - she didn't wait until the circumstances dictated joy. She's gorgeous.

Pic: Jane Austen from: Advanced Embroidery

Sunday, 5 October 2008

'Lost in Austen' series, anyone?

I am SO grateful for Maria's information, and so ashamed of myself for letting this slipping out of my radar. Ive been lost in my own research world anyway these past few months... But I'm so grateful for the info as well, for then I can wait for the DVD, and available funding of course!

I'm talking, ladies and gents, about the new ITV drama 'Lost in Austen'. Basically, it's about a modern London girl named 'Amanda Price' that one day found the very Miss Elizabeth Bennet in her bathroom, and - having foolishly following Lizzy's example of entering a hidden door in her bathroom wall - suddenly found herself in Longbourn amidst the Bennets. Click here for the plot summary in Wikipedia.

I think it's a cool fanfiction-ish series for Pride & Prejudice lovers. It's unexpected that such a series could be made, but hey, I think it's a great progress, despite the jumbles it made on the PP storylines (hence hardcore PP fans might be flared by this production). But hey, that's what fan-fiction is all about!

Here's where you can buy it at Amazon.uk. I think I have to access that wonderful site for my own copy; seemingly the series is not in Australia yet. Sigh... And check Enchanted Serenity of Period Films; a wonderful site that gives you much more info about this movie!

Here's the first part of the first episode of Lost in Austen from YouTube, thanks to Chicawapa. The rest of episodes can be found there as well.



Anyone up for a review, anyway? Team Jane can always find time to post it here for you!

UPDATE! I've seen all four episodes in YouTube (thanks Chicawapa!), and is it not one of the most amazing miniseries I've ever seen! YES! I love Amanda Price, I love this version of Lizzy Bennet, I even love Wickham, Lady Catherine de Bourgh, and Mrs. Bennet! Oh, I don't have time to write a proper review now, but in a few days I hope to. And really, a DVD is worth it!

Pic: DVD cover of 'Lost in Austen' from Amazon.co.uk

Jane Austen Quote – Week 24

Sorry for the belated post for this week (for Australia and New Zealand at least), but here’s the quote for week twenty four from Pride and Prejudice Chapter 60, as Elizabeth Bennet spoke to Mr. Darcy:

“You were disgusted with the women who were always speaking and looking, and thinking for your approbation alone. I roused, and interested you, because I was so unlike them.”

Is it not so true, Mr. Darcy? Of all your pride and arrogance, you are interested in Lizzy because she was nothing like other women who constantly chased you? Instead, she was independent and opinionated, regardless of what people think of her.

I guess, the bottom line is that you have to be yourself whatever it takes, and not molding your unique identity just to catch a man like what Caroline Bingley did for Mr. Darcy (or 'just to reach your ambitions in many other circumstances', IMHO).

Oh, how I love Lizzy Bennet!

Pic: Jennifer Ehle as Lizzy Bennet from Bookish homestead

Sunday, 28 September 2008

Jane Austen Quote- Week Twenty-Three

Many people criticised Becoming Jane for creating a story which represented the real life of Jane Austen, yet used constant reference to her novels; either through dialogue or real characters which were purported to be the foundations for the later fictional characters from her novels. This allowed people to propose that the film makers were suggesting that Jane was not as 'creative' as her true followers believe her to be.




I did not feel this way atall. I think that the film makers allowed a wider audience to be introduced to the world of Jane Austen which includes her novels. Many non-literary followers still know the story of Pride and Prejudice and by including some quotes from the novel in the film dialogue, it allowed links to be noticed by the audience and consequently, I believe, more enjoyment to be felt.


Furthermore, the other ladies on this blog and I have had many discussions about the fact that there MUST have been elements of Jane's personal life and experiences depicted in her novels. It is only natural. She writes with such awareness and this would not be possible unless she had been subjected to similar environments and circumstances in her real life.




Anyway, enough waffling. The quote I have chosen this week is a quote from the wonderful novel Northanger Abbey but was also included in the film Becoming Jane.



In the novel, it appears at the end of Chapter 5 when Jane uses the description of the friendship between Catherine and Isabella to declare her strong views on the use and respect of the 'novel' in everyday life. I think it is a clear representation of Jane at her best.



In the film, Jane uses this quote in a clever verbal attack towards Tom Lefroy when they meet in Selbourne Wood and he manages to deliver the common misconception of what was believed to be just a novel.




"Only a novel"... in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world in the best chosen language."




I hope you enjoy.




Pic 1: Jane Austen from Wikimedia Commons

Pic 2: BBC website

Saturday, 27 September 2008

Jane Austen & 'Sophia Sentiment' by Mariana

Posted by Mariana, first part of the article is taken from the Addicted to Jane Austen blogspot:
http://addictedtojaneausten.blogspot.com/2008/06/jane-austen-sophia-sentiment.html

Wedensday, 11 June 2008


Jane Austen & "Sophia Sentiment"

On the posthumous publication of Persuasion and Northanger Abbey, Jane’s favourite brother Henry Austen described her physical appearance thus: “It might with truth be said, that her eloquent blood spoke through her modest cheek.” As Marghanita Laski points out, this is an incredibly pompous-sounding tribute - until we realise that these same words, originally from the poet John Donne, are quoted by Henry Fielding in Tom Jones to describe Sophia Western, who finally marries Jones - “Her pure and eloquent blood spoke in her cheeks”.

Furthermore, Sophia Western’s complexion “had rather more of the lily than the rose; but when exercise, or modesty [emphasis added] increased her natural colour, no vermilion could equal it.” Sophia’s eyes were very dark and her black hair was “so luxuriant that it reached her middle, before she cut it to comply with modern fashion”. Louisa Austen’s description of her aunt Jane is as follows: “large dark eyes and a brilliant complexion, and long, long black hair down to her knees”

From here, we may need to take another look at the “Sophia Sentiment” who wrote to James Austen’s publication The Loiterer on 28 March 1789. Some critics have already suggested that “Sophia Sentiment” was Jane Austen. Claire Tomalin does not, on the grounds that “Miss Sentiment” deplores women’s taste in literature. However, soon after this, Jane Austen uses Sophia for the heroine’s name in her satire Love and Freindship, [sic] attacking the excesses of the romantic novel, a favourite Austen theme. Tomalin suggests that repeated use of the name Sophia may have been a running family joke. If this is the case, which seems likely, it is not hard to imagine where the joke originated.

******************************************************************************************
Mariana's comments:

I may add further more that “THE AMIABLE Sophia” (this reminds me of that silhouette from the second edition of Mansfield Park, inscribed "l'aimable Jane" and presumed to be Jane Austen and also this line from Emma: "That sweet, amiable Jane Fairfax! said Mrs. John Knightley”) was “a middle-sized woman; but rather inclining to tall”, her black hair “was now curled so gracefully in her neck, that few could believe it to be her own” and “her nose was exactly regular, and her mouth, in which were two rows of ivory, exactly answered Sir John Suckling’s description in those lines:

Her lips were red, and one was thin,
Compar’d to that was next her chin.
Some bee had stung it newly.”

We are also told that Sophia (eighteen “when she is introduced into this history”), was in love with Tom: “her heart was irretrievably lost before she suspected it was in danger”, but “though this young gentleman was not insensible of the charms of Sophia; though he greatly liked her beauty, and esteemed all her other qualifications, she had made, however, no deep impression on his heart; for which, as it renders him liable to the charge of stupidity, or at least of want of taste, we shall now proceed to account. The truth then is, his heart was in the possession of another woman” - whose name was Molly…

I think you’ve already made the connection with our Tom and his Mary (again, there could be some truth in Joan K Ray’s article: The One-Sided Romance of Jane Austen and Tom Lefroy) and also, our dear Edward and Elinor’s story in Sense and Sensibility.

Reading how Jane was described by her family and friends, you will find not only similarities with Sophia but also with some of her own heroines.

A good example will be Marianne in Sense and Sensibility:

“Her form, though not so correct as her sister's, in having the advantage of height, was more striking; and her face was so lovely, that when in the common cant of praise, she was called a beautiful girl, truth was less violently outraged than usually happens. Her skin was very brown, but, from its transparency, her complexion was uncommonly brilliant; her features were all good; her smile was sweet and attractive; and in her eyes, which were very dark, there was a life, a spirit, an eagerness, which could hardily be seen without delight.”

Another one will be Emma - one of the few characters that Jane ever described: "Pretty! say beautiful rather. Can you imagine anything nearer perfect beauty than Emma - face and figure?...Such an eye! - the true hazel eye - and so brilliant! regular features, open countenance, with a complexion! oh! what a bloom of full health, and such a pretty height and size; such a firm and upright figure. There is health, not merely in her bloom, but in her air, her head, her glance."

Louisa Austen: “large dark eyes and a brilliant complexion, and long, long black hair down to her knees”

Henry Austen: "Of personal attractions she possessed a considerable share. Her stature was that of true elegance. It could not have been increased without exceeding the middle height. Her carriage and deportment were quiet, yet graceful. Her features were separately good. Their assemblage produced an unrivalled expression of that cheerfulness, sensibility, and benevolence, which were her real characteristics. Her complexion was of the finest texture. It might with truth be said, that her eloquent blood spoke through her modest cheek. Her voice was extremely sweet. She delivered herself with fluency and precision. Indeed she was formed for elegant and rational society, excelling in conversation as much as in composition."

Edward Austen Leigh: "In person she was very attractive; her figure was rather tall and slender, her step light and firm, and her whole appearance expressive of health and animation. In complexion she was a clear brunette with a rich colour; she had full round cheeks, with mouth and nose small and well formed bright hazel eyes, and brown hair forming natural curls close round her face."

Sir Egerton Brydges: "Her hair was dark brown and curled naturally, her large dark eyes were widely opened and expressive. She had clear brown skin and blushed so brightly and so readily."

Mr Fowle: "... certainly pretty-bright & a good deal of colour in her face – like a doll – no that would not give at all the idea for she had so much expression – she was like a child – quite a child very lively and full of humour."

Caroline Austen: "... her's was the first face I can remember thinking pretty ... Her hair, a darkish brown, curled naturally – it was in short curls round her face...Her face was rather round than long – she had a bright but not a pink colour – a clear brown complexion and very good hazel eyes. Her hair, a darkish brown, curled naturally, it was in short curls around her face.”

By Mariana.

Pic 1: Jane Austen from: Easthants
Pic 2: Kate Beckinsale as Emma from: Strangegirl
Pic 3: Kate Winslet as Marianne from: Rosings
Pic 4: Kate Beckinsale as Emma from: Strangegirl
Pic 5: Kate Beckinsale as Emma from: Strangegirl
Pic 6: Jane Austen by Jane Odiwe: Austen Effusions

Saturday, 20 September 2008

BJ Fansite's article of Madam Lefroy at the Jane Austen Center!


My deep gratitude to Laura Boyle and her Jane Austen Center in Bath, and also to dearest Rachel who wrote an excellent biography of Madam Anne Lefroy last year, we now have the Madam Lefroy article from Becoming Jane Fansite attached and quoted by the Jane Austen Center. Here's the link to the Madam Lefroy section at the Jane Austen Center.





It's a pleasure for us to help you, Laura. Ladies, keep up the good work! I understand we've been pretty quite because of our schedules, but we're still here to support the amicable friendship of Jane Austen and Tom Lefroy!



Pic: Madam Anne Lefroy from the Jane Austen Center

Jane Austen Quote of the Week - Week 22

This week's quote is from Mansfield Park – Chapter 9:


QUOTE

Miss Crawford has just learned that Edmund is to be a clergyman, and in the midst of their discussion she says, “A clergyman is nothing.”

Edmund states the importance [in bold] of the clergy in his reply:

“The nothing of conversation has its gradations, I hope, as well as the never. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation[being a clergyman] nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence. No one here can call the office nothing. If the man who holds it is so, it is by the neglect of his duty, by foregoing its just importance, and stepping out of his place to appear what he ought not to appear.”

Edmund goes on to explain the influences to be expected from the clergy, thusly:

“…And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good–breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The manners I speak of might rather be called conduct, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation.”

Now we know what is wrong with the world and who to blame for it. Well, Jane said it, I didn’t. Oh, not really though, God takes the blame according to Isaiah 45:7 where He says, “I form the light, and create darkness: I make peace, and create evil: I the Lord do all these things.” There are those who discount this by saying He wouldn’t do that, but He can create good and evil since He also has the power to restore all things which makes Him Fair and Just.


END OF QUOTE

This is just one example that I have found where Jane has included her religious beliefs that I would like to have the time to collect. I think we may be surprised at what we could find. End of Today’s Sermon.

Linda the Librarian


Pic: An old but classical illustration of Mansfield Park, from only a novel

Saturday, 13 September 2008

Jane Austen Quote - Week Twenty-One

I was reading Pride & Prejudice this week and I re-discovered a quote that I have always adored. It's Jane at her best - yet again. Post-Pemberley discussions:

Mrs. Gardiner and Elizabeth talked of all that had occurred, during their visit, as they returned, except what had particularly interested them both. The looks and behaviour of every body they had seen were discussed, except of the person who had mostly engaged their attention. They talked of his sister, his friends, his house, his fruit, of every thing but himself; yet Elizabeth was longing to know what Mrs. Gardiner thought of him, and Mrs. Gardiner would have been highly gratified by her niece's beginning the subject.

Pride & Prejudice, Chapter 45.

They talked 'of all that had occurred ... except what had particularly interested them both'. To me, this seems so fundamentally human - or female, at least. I can just see Lizzy, dying to discuss him - yet everything is so new, and there's all this shyness and vulnerability and self-consciousness about the specialness of it all ... that to initate a conversation about him is just too much. Wonderful Jane. In few words she layers so much.

Pic: Jennifer Ehle and Colin Firth from: BBC

Saturday, 6 September 2008

Jane Austen Quote – Week Twenty

Man, it's my turn already! Time goes by... Speaking of time, let's see what Marianne Dashwood said about time required for intimacy. Yes, my dearest readers, from Sense & Sensibility, chapter 12:

'It is not time or opportunity that is to determine intimacy; - It is disposition alone. Seven years would be insufficient to make some people acquainted with each other, and seven days are more than enough for others.'

Marianne, indeed you were right. At least, I've met some people who I could never truly understand, and yet - at the other end of the spectrum - there are these people that directly clicked with me despite our short acquaintance. I suppose, disposition indeed matters, though I also have another explanation for that...

Anyway, seven days, eh? I bet that the time required for Jane Austen and Tom Lefroy to be intimately connected since their first introduction in Christmas holiday 1795 was not more than seven days...

Pic: CL Brock from Austenprose.blogspot.com

Sunday, 31 August 2008

Jane Austen Quote of the Week- Week Nineteen

I must apologise for this late posting- I have actually been in Ireland for the week visiting family. I am in love with the country. Since my visit last year on my Jane/Tom quest, I see it in a whole new way. Its a very special place with so much to offer. We went from Dublin to Galway and took in some of the ring of Kerry before returning from Cork. Absolutely beautiful. It is no wonder that Tom Lefroy chose to stay there to bring up his family. We drove through Limerick, Tom's birthplace, but unfortunately I did not have time to explore. I know that I will be returning very soon for I cannot keep away so I will be sure to continue the quest to find out more about our Tom and Jane.

Anyway at hand through my whole trip was my copy of Emma. I have therefore chosen to take quotes from Emma for this weeks selection. As I am late in posting and also because I simply cannot make a decision between so many fantastic quotes, I have chosen two for this week (sorry ladies for being cheeky!)

The relationship between the personalities of Emma and Mr Knightley is electric. My two quotes reflect this and they are both taken from the first section of the novel. The first is during their memorable altercation; Emma has interfered with Harriet's rejection of marriage from Mr Martin and Mr Knightley tells her straight how he disapproves:





"Upon my word, Emma, to hear you abusing the reason you have, is almost enough to make me think so too. Better be without sense than misapply it as you do."






Later, Emma (whilst now trying to match Harriet with Mr Elton) asks Mr Elton to help them write a riddle. Emma and Mr Knightley have still not fully made up and Mr Knightley, upon hearing this, states:



"Emma, you didn't ask me to contribute a riddle."

She retorts:

"Your entire personality is a riddle, Mr. Knightley. I thought you overqualified."




I love these two quotes and I dont think that the chemical relationship between Emma and Mr Knightley has been surpassed in any of Jane's other novels. This is of course my opinion and I am welcoming any discussion..........

Friday, 22 August 2008

Jane Austen Quote - Week 18 by Linda

From Persuasion, Chapter 10:

"Anne was still in the lane and though instinctively beginning to decline, she was not allowed to proceed. The Admiral's kind urgency came in support of his wife's, they would not be refused; they compressed themselves into the smallest possible space to leave her a corner, and Captain Wentworth, without saying a word, turned to her, and quietly obliged her to be assisted into the carriage.

Yes, he had done it. She was in the carriage, and felt that he had placed her there, that his will and his hands had done it, that she owed it to his perception of her fatigue, and his resolution to give her rest. She was very much affected by the view of his disposition towards her, which all these things made apparent. This little circumstance seemed the completion of all that had gone before. She understood him. He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment, it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed."

Please excuse the length of the quote, but it is so wonderful that it begs to be put in context. Some (and I won’t mention Charlotte Bronte’s name) have said that Jane lacked passion. See my Passionate Passages page HERE where the aforementioned nameless person said: “the Passions are perfectly unknown to her.” After reading the Quote of this Week, I beg to differ, passionately!

I beg pardon, but to me the passage is simply dripping with passion! And that is only one example. What really boggles my mind is that it is so hard to find just a ‘few’ memorable quotes, because one wishes to quote the entire book! So There, Miss Nameless Person! (Sorry, I get carried away, but ‘they’ keep bringing me back.)

Linda the Librarian


Pic 1: Amanda Root and Ciarain Hind in Persuasion, from: Quizilla
Pic 2: Sally Hawkins and Rupert Penry-Jones in Persuasion 2007, from: Austenblog

Saturday, 16 August 2008

JA Quote of the Week - Week 17

This week my quote is from Northanger Abbey. Catherine and Henry are discussing Henry's brother's flirtations with Catherine's brother's fiancee. (yikes!) Henry says:

'No man is offended by another man's admiration of the woman he loves; it is the woman only who can make it a torment.'

Northanger Abbey, Chapter 19

This was one of those statements that made me stop reading, and reread it. It just demands a second reading! Everytime I read NA I stop at this quote, so I thought it belonged here on the blog. I don't have a massive opinion about it, I just wonder at it!

There is something lovely, I think, about hearing a masculine voice in this way. It speaks of such pride and love and tenderness, and I can fully believe Henry Tilney feeling this way about Catherine. Such a beautiful quote. It always makes me smile.

Pic: Felicity Jones as Catherine Morland from: The Lit Connection

Old video of James McAvoy and Parkinson

This is non-BJ related (actually, Atonement-related. Good movie. Michelle, where’s that Atonement assignment?!), but since I missed James McAvoy so much (and his Scottish accent!), these are three parts of an interview of James with Michael Parkinson. Oh, Billie Piper was there too, she’s pretty cute.

http://www.youtube.com/watch?v=Gzxfk-GHYTE&feature=related – part one Parkinson

Part 2

Part 3

Enjoy!

Saturday, 9 August 2008

JA Quote of the Week – Week Sixteen

Ah… sweet sixteen… before Michelle’s turn next week (nudge!) for the sweet seventeen. Anyway, for it’s sweet 16, I should come up with something sweet and romantic. Here it goes, Emma Volume III, Chapter 13 (page 339, Oxford edition 2003). This is after George Knightley’s confession of his love for Emma Woodhouse, a quote I had used a few months ago (click here, also click Linda’s Passionate Passages of Emma):

Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken; but where, as in this case, though the conduct is mistaken, the feelings are not, it may not be very material. – Mr. Knightley could not impute to Emma a more relenting heart than she possessed, or a heart more disposed to accept of his.

Aaah… Knightley! I really think it was so sweet of him to admit his love to Emma in such a way, without too flowery a language and by accepting that neither he nor Emma was perfect (but their very imperfections actually add the chemistry between them). Such sweet tender truth, spoken by an old friend like Mr. Knightley. Emma would be a fool indeed not to love him!

Sorry Linda and Michelle dear, Mark Strong is compelling, but I just have to go with my Jeremy Northam this time… swoon…

Pic: George Knightley (Jeremy Northam) and Emma Woodhouse (Gwyneth Palthrow) from the Riskyregency.blogspot.com

Thursday, 7 August 2008

Maria's gorgeous fanvid for Pat!

I'm so happy to have so many passionate readers and talented friends to contribute to this website. Take a look at this gorgeous fanvid of Maria from Sweden (and Peanut!), dedicated to Pat Lovell. Pat chose the song, i.e. You're the One by Karen Carpenter. Brilliant! Thank you, Maria and Pat!