Showing posts with label Trivia. Show all posts
Showing posts with label Trivia. Show all posts

Sunday, 4 August 2013

Jane Austen Quote of the Week 242

The post this week has been inspired by our recent email contact with Mariana who has made some great observations based on reports about the confirmation that Jane Austen is to be the new face on
the £10 note here in the UK.
 

Hello dear friends,
As I’m on vacation for few days, I found some more time to dedicate to old friends and reading. I don’t know if you followed the news regarding the threats and hostile tweets addressed to Caroline Criado-Perez after she ran that successful campaign for a women - Jane Austen, to appear on the £10 banknote. For the past few days, Caroline was criticized for taking a stand and asked to stop 'shouting back' not only by men, but as I read in disbelief, by many women, blaming her for the threats she receives. You will probably need to read these articles first and then the quotes from Jane Austen’s books to understand why I cannot and will never agree with, or understand people, especially women who are blaming the victims - I refer here also to those few Janeites who readily agreed (and wrote articles in support of this idea) with a man saying "it seems fairly clear that Jane made all the running" in her youthful romance with Tom Lefroy.
The connection between Austen and the threat of rape

"The man who discovered evolution has been traded for a bitchy marriage-broker who never married."

This quotation is from Northanger Abbey, first draft written as we know it in 1798- 99, a short time after Jane Austen met Tom Lefroy: "You will allow, that in both [matrimony/dancing], man has the advantage of choice, woman only the power of refusal"
It was his choice to invite Jane Austen so many times to dance with him when he knew what people will start gossiping. I’m really amazed how Janeites could write such articles as the one posted on JASNA by Joan Klingel Ray ("The One-Sided Romance of Jane Austen and Tom Lefroy" http://www.jasna.org/persuasions/on-line/vol28no1/ray.htm) and others embrace the idea without giving a second thought to the many constraints for the women at that time.
 
 A few key quotes: 
Northanger Abbey

“A woman, especially, if she have the misfortune of knowing anything, should conceal it as well as she can.”
 
“To come with a well-informed mind is to come with an inability of administering to the vanity of others”
          Persuasion
“I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy.” 
“Songs and proverbs, all talk of woman's fickleness. But perhaps, you will say, these were all written by men."
"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story.”

“Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything."

"We never shall. We never can expect to prove anything upon such a point. It is a difference of opinion which does not admit of proof.”

“We each begin, probably, with a little bias towards our own sex; and upon that bias build every circumstance in favour of it which has occurred within our own circle; many of which circumstances (perhaps those very cases which strike us the most) may be precisely such as cannot be brought forward without betraying a confidence, or, in some respect, saying what should not be said."

Wishing you a sunny & joyful Summer!

Lots of hugs,
Mariana

Pic: Jane Austen on £10 note

Thursday, 4 July 2013

Jane Austen to be the new face on the £10 note!

In the United Kingdom, there has been many reports suggesting that Jane Austen is to become the new face on the £10 notes.

There has been recent concern as Elizabeth Fry (social reformer) will be removed from the current £5 note. This has caused much controversy, including protest from Caroline Criado-Perez, a women’s rights campaigner, who has launched an online petition to keep a woman on British banknotes.

Sir Mervyn King (Economist and Governor of the Bank of England) has stated “Whenever we launch a new note, we always have two notes running in parallel – the figure we are using and a reserve figure in case there are any technical issues ... The figure we have been working with for two years [on the £10 bank note], I have said before is a woman and I can tell you today it’s Jane Austen. The Jane Austen note has been up and running internally for the last two years.”

How fantastic! Great news for us Jane fans and for famous females!


Pic 1: Daily Mail Charles Darwin on £10 note

Pic 2: Huffington Post Jane Austen on note

Information taken from Telegraph article

Friday, 1 July 2011

Jane Austen and Kate Middleton



Linda has directed us to an article written in the Daily Mail which suggests that the new Duchess of Cambridge, Kate Middleton, may be related to Jane Austen. They may well be 11th cousins, six times removed but being a fan of Kate Middleton, I think it makes sense.





You can read the article here






Pics: Daily Mail article

Sunday, 19 September 2010

Answer to the Puzzle: Tom Lefroy's handwriting!

My dear friends, apologies for the very belated instalment of the puzzle. Thanks to Amy who has contributed the trivia and to Mimi who has wrecked her brain in trying to solve it (I wrecked my brain for 5min and gave up, hahaha!).


The above is the scanned image of a letter Amy posted to me, and this is the interpretation:

1st line: “Longford October …1836”

2nd line: “…Herries… &Co.”

3rd line: “St James St.”

4th line: “Lefroy London”

Amy’s note:
1. In the olden days, addresser was written on the left side
2. In 1836 , Messers Herries, Farquhar and Company was located on 16 St James Street, London. Some years later it was acquired by Lloyds Bank.

And the leading material that confirms that it was a letter from Thomas Langlois Lefroy (which we didn't post until now on purpose...):


“The Right Honble [Honourable] Thomas Lefroy”

Wikipedia entry of the University of Dublin confirms that "The Right Honourable" was Tom Lefroy's official title by 8 January 1835 (scroll down to 'Elections in the 1830s). The Memoir of Chief Justice Lefroy page 120 noted that in 1830, Tom Lefroy was first elected as the Representative of the University of Dublin. He contested again for a general election on 7 May 1831 and 18 December 1832. He won those elections (wow!) but he had not had "The Right Hon." in his title by then. It seems that Thomas Langlois Lefroy received "The Right Honourable" title somewhere between 1832 and 1835.

Anyway, it seems to me that the letter was indeed written by our Tom Lefroy. Thus this letter might be a specimen of his hand-writing!

Hope the trivia is enjoyable!

Wednesday, 1 September 2010

A puzzle

A friend from Singapore (Amy) sent us this piece of letter. Truly a piece of a letter, very old, and might be attributed to one of Jane's acquaintance, or even Jane Austen herself.


Guess what was written in this piece of paper? Try to type it on the comment section so that we can see which one has the best guess. No prize this time for the winner, but hey, it's a fun thing to do!

The answer will be posted (along with a rather long story of how Amy found this letter) next week, before the weekend.

Good luck and have fun! And thanks a lot Amy for contacting us!

Thursday, 4 February 2010

Pride and Prejudice Musical


I just wanted to share with you all that 'Pride and Prejudice the Musical' will be showing at the Athenaeum Theatre in Southport, Chicago, US.


The dates for the performances are February 26th and March 6th and 7th.


The musical was written by Lindsay Warren Baker and Amanda Jacobs and was directed by Steven Daigle.


You can find out more information from http://www.chamberoperachicago.org/


Being in the UK I will not get the chance to be part of this so if any of you do attend any of the performances, please share your reviews on the blog.


I want to acknowledge that I did find this information in the Jan/Feb edition of Jane Austen's Regency World.



(Also would like to mention that Carey Mulligan who plays Kitty in the 2005 Pride and Prejudice has just been nominated for an oscar for her excellent performance in 'An Education'- this is great news for such a talented British actress!)

Baby News for James McAvoy


I know this is slightly unrelated to Jane and her work but as this blog originated based on the film Becoming Jane, I wanted to make you aware that the lovely James McAvoy (our Tom Lefroy in the film) is going to be a daddy.

His very talented wife, Anne-Marie Duff (Notes on a Scandal, Nowhere Boy, and many excellent british tv series), and James are staring in the new film The Last Station with Helen Mirren (who has been nominated for an oscar for her performance) and is released here in the UK in a few weeks. I cant wait.

Read more about the upcoming arrival of the 'Mc-Duff family':

Father-to-be-Mcavoy



Pic: Contact Music

Thursday, 27 November 2008

Austen Adaptation Trivia

I was reading the national newspaper, The Daily Mail, at the weekend and I spotted a section with interesting bits of trivia related to various films. There were a few Jane Austen adaptations mentioned and as I am a sucker for film trivia (particularly when it is related to our Jane), I thought I would share with you.



Pride and Prejudice- Anna Chancellor who starred as Miss Bingley in the 1995 adaptation with Colin Firth is actually a direct descendant of Jane's elder brother Edward.

With a little research I also found out my own piece of interesting trivia about her; she was married to a man named Nigel Willoughby! Do you think there was a subconscious desire there to keep a bond with Jane and her work.





Persuasion- This refers to the 1995 version of Persuasion which stars Amanda Root as Anne. The last shots of the departing ship of Captain Wentworth were actually taken from The Bounty (1984)












Emma- Gwenyth Paltrow played Emma in the brilliant 1996 adaptation of the novel. Mrs Bates and Miss Bates in the film were actually played by Phyllida Law and Sophie Thompson who are real life mother and daughter. Interestingly they are also the mother and sister of Emma Thompson who plays Elinor Dashwood in Sense and Sensibility (1995) which brings me nicely to the final interesting fact........


Sense and Sensibility- Allegedly the Jane Austen Society actually opposed the casting of Hugh Grant as Edward Ferrars and actually contacted the producers to make a complaint. The reasoning was that Hugh Grant was too handsome to be our Edward Ferrars.....?!
Comments are welcome.








Pic 1: Miss Bingley (on the left): period movies site

Pic 2: Captain Wentworth: jane austen on film

Pic 3: Mrs Bates (Phyllida Law) and Miss Bates (Sophie Thompson): blogspot

Pic 4: Hugh Grant as Edward Ferrars: xanga site

Saturday, 2 August 2008

WINNER: Trivia Quiz

I am delighted to announce that the winner of our quiz which we launched in commemoration of the anniversary of Jane Austen's death is...........



**********Lis Craig from Texas in the US.**********


CONGRATULATIONS LIS!!!!


We will be in contact about how we will get the prize to you.

The questions with answers were as follows:


1. In addition to writing about love stories (and their predicaments), Jane Austen was also an avid supporter of the abolitionist movement. In what novel did she include slavery as one of her main themes?


Mansfield Park



2. Who accompanied Jane Austen to Winchester on 24 May 1817?



Jane's sister, Cassandra Austen




3. Years after Jane Austen’s death, Thomas Langlois Lefroy admitted to one of his relatives that he used to have a ‘boyish love’ with the famous authoress. What was the name of his relative, and what was he to Tom Lefroy?

Thomas Edward Preston Lefroy who is Thomas Langlois Lefroy's nephew

Thank you to everyone who participated!


Pic: Jane and Cassandra- from Anne Hathaway fansite


PS 3 August 2008:

Sorry Rachel for using your post, but I just want to inform you all that Lis will be getting Laurie V. Rigler's "Confessions of a Jane Austen Addict" for free, shipped to her address. Thanks a lot, Laurie, and congratulations, Lis!

Saturday, 19 July 2008

Trivia Quiz ANSWERS

I posted a trivia quiz this time last week. I hope you all enjoyed it.




Here are the answers:

1. Of the following characters, who was fictional and who existed:

o Mrs Ann Radcliffe- REAL
o Mr Wisley- FICTIONAL (but based on the real Mr Bigg-Wither)
o Henry Austen- REAL
o Cousin Eliza de Feuillide- REAL
o Lady Gresham- FICTIONAL
o Benjamin Langlois- REAL

2. Which actor plays the character of Mr Wisley?

Laurence Fox

3. Which year did Mr George Austen (Jane’s father) die?

1805

4. Name Jane’s six novels in the order that they were published.


Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), Northanger Abbey and Persuasion (both 1817)




5. What was the famous book that Tom gave to Jane in the library and told her to read?

Tom Jones by Henry Fielding

6. At the end of the film when she is reading an extract from one of her novels to the young Jane Lefroy, which novel is the extract from (clue: see post within the last week)?

Pride and Prejudice

7. Whilst at dinner with Tom’s uncle during their visit to London, Eliza describes how her husband was killed. Was he:- Hung- Guillotined- Missing, presumed dead- Drowned- Died of Cholera

Guillotined




8. What colour was the dress that Jane was wearing at the second ball when herself and Tom shared their first kiss?

Pale green




9. When Tom returns to Hampshire after news has broke that he is engaged to someone else, where does Jane learn that Mary, Tom’s new fiancé, is from in Ireland?

County Wexford

10. Which character from a Jane Austen novel is Lady Gresham supposedly modelled upon?

Lady Catherine from Pride and Prejudice

11. Which award did Becoming Jane win at the People’s Choice Awards?

Favourite Independent Movie

12. In the film, who sent the letter to the Judge telling him about Tom’s intentions to marry Jane and consequently ruining their chances of being together?

John Warren (friend of the Austen family)

13. What exactly does Tom say to Jane:- “I love you Jane, with all my heart and soul!”- “I'm yours, Jane, heart and soul!”- “You’re mine, Jane, heart and soul!”- “We are bound Jane, heart and soul!”

“I'm yours, Jane, heart and soul!”


14. When Tom arrives in Hampshire, Jane is reading a speech in celebration of which special event?


The engagement of her sister, Cassandra, to Thomas Fowle


15. What is Jane doing in the opening scene of the film?

Playing the piano

16. What does Jane read which prompts her to change her mind and return home to Steventon after Tom and herself had decided to elope?

A letter from Tom’s family thanking him for the money that he sent them on a regular basis

17. How did Jane communicate with her brother George?

Sign Language

18. What did George Austen (Jane’s father) do for a living?

Rector at Steventon parish


19. What was the name of the wood that Jane met Tom whilst they were both taking a walk?

Selbourne Wood



20. Which of Jane’s novels was influenced most by the work of Mrs Ann Radcliffe?

Northanger Abbey- due to its gothic nature


Pic 1: Jane and Tom

Pic 2: Jane Writing


Pic 3: Tom and Jane dancing

Pic 4: Jane Reading

Pic 5: Tom In Selbourne Wood

Pic 6: In Love

Saturday, 12 July 2008

Trivia Quiz

I thought that it would be nice to do a 20-question trivia quiz for our faithful fans who love the film, Becoming Jane, as much as us.

Icha will be doing one of her more difficult, speciality set of questions (with prize) in commemoration of the death of Jane Austen on the anniversary date of 18th July.

Until then, I thought I would keep you occupied with this one.....Enjoy!





Answers will be posted this time next week.

1. Of the following characters, who was fictional and who existed:
- Mrs Ann Radcliffe
- Mr Wisley
- Henry Austen
- Cousin Eliza de Feuillide
- Lady Gresham
- Benjamin Langlois (Tom’s uncle)



2. Which actor plays the character of Mr Wisley?







3. Which year did Mr George Austen (Jane’s father) die?





4. Name Jane’s six novels in the order that they were published.



5. What was the famous book that Tom gave to Jane in the library and told her to read?



6. At the end of the film when she is reading an extract from one of her novels to the young Jane Lefroy, which novel is the extract from (clue: see post within the last week)?



7. Whilst at dinner with Tom’s uncle during their visit to London, Eliza describes how her husband was killed. Was he:
- Hung
- Guillotined
- Missing, presumed dead
- Drowned
- Died of Cholera

8. What colour was the dress that Jane was wearing at the second ball when herself and Tom shared their first kiss?

9. When Tom returns to Hampshire after news has broke that he is engaged to someone else, where does Jane learn that Mary, Tom’s new fiancé, is from in Ireland?

10. Which character from a Jane Austen novel is Lady Gresham supposedly modelled upon?

11. Which award did Becoming Jane win at the People’s Choice Awards?



12. In the film, who sent the letter to the Judge telling him about Tom’s intentions to marry Jane and consequently ruining their chances of being together?


13. What exactly does Tom say to Jane:
- “I love you Jane, with all my heart and soul!”
- “I'm yours, Jane, heart and soul!”
- “You’re mine, Jane, heart and soul!”
- “We are bound Jane, heart and soul!”


14. When Tom arrives in Hampshire, Jane is reading a speech in celebration of which special event?

15. What is Jane doing in the opening scene of the film?

16. What does Jane read which prompts her to change her mind and return home to Steventon after Tom and herself had decided to elope?

17. How did Jane communicate with her brother George?

18. What did George Austen (Jane’s father) do for a living?

19. What was the name of the wood that Jane met Tom whilst they were both taking a walk?

20. Which of Jane’s novels was influenced most by the work of Mrs Ann Radcliffe?




Pics taken from:

Monday, 7 July 2008

The Passage Read by Jane Austen (Anne Hathaway) at ‘Becoming Jane’

My dear friends,

It turned out that many fans are interested with the passage read by Jane Austen (Anne Hathaway) at the end of Becoming Jane, as the older Tom Lefroy (James McAvoy) listened pensively and looked at her fondly. Many a friend knew that the passage was taken from Pride & Prejudice, but quite a few as well unsure of which part of the book it was. Here’s the entire quote of the passage, taken from Chapter 8 of Volume III. That was after Lizzy learned of Lydia-Wickham's wedding plan, but before she knew that it was Mr. Darcy who basically saved her brat sister from destitute and loss of reputation (page # depending on the book version you have):

She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both; by her ease and liveliness, his mind might have been softened, his manners improved, and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance. But no such happy marriage could now teach the admiring multitude what connubial felicity really was.

Oohh… I want to cry again… Take a look at this beautiful YouTube passage (thanks to Arya27 for the video) to refresh your memory.

Pic: Screen shot from the 'Last Reading' scene of 'Becoming Jane'


Friday, 25 April 2008

Andrew Davis Q&A With Austen Fans

Masterpiece Theatre Q&A with Screenwriter Andrew Davies

If you could be an observer in one of Jane Austen's books, which one would you chose to be in?— M. Shatto

An interesting question, and one I've never been asked before. I think I'd like to be a participant observer in Emma, observing how the mystery of Jane Fairfax's piano and Frank Churchill's haircut — and I'd be tempted to intervene and dissuade Jane from what I think is a bad choice of husband.

Do you think Jane never found an enduring romantic relationship because she was so very judgmental of the society she lived in? That she "scared off" potential suitors?— K. Puchek

She certainly had a sharp tongue and didn't suffer fools gladly, but she was very attractive in her youth, and very flirty. Her real trouble was shat she had no money, so Tom Lefroy (with whom she did have a love affair) couldn't afford to marry her (no doubt the same for other young men). She was made an offer by one wealthy chap, and she accepted, only to change her mind the next day.

I am a screenwriter and a huge admirer of your work. When first sit to write a scene, looking to carry Austen's prose to screenplay, what is the first thing you think of? Is it an overall shape to the scene? A feeling? Do you have a series of questions you ask yourself to keep focused? Or does each book ask for its own style, rhythm and approach?— J. Fox

Generally I'm thinking: how does this scene advance the story? What does it reveal about the characters? Is there an essential "key line" in it? And as this is a visual medium, I'm often looking for ways in which the feeling or the meaning can be carried by a look, or an action, rather than the spoken word. But yes, different books, even by the same author, have different moods and rhythms. Northanger Abbey and Pride and Prejudice are very speedy and sparky, while Persuasion is much more sedate, almost melancholy.

When you are writing a teleplay with time constrictions, how do determine which scenes to exclude from it and which ones are most essential? Do you ever worry that fans of Austen's works may be angry at their favorite little moment being missing from the adaptation?— S. Kowalski

There are a number of scenes which are essential if the story is to make sense and make an impact. And then I tend to choose my own favorite little moments, and not worry about other people's favorite bits. They can always read the book again! Selfish, I know, but there you go.

Is there anything, in any adaptation, that you wished you had done differently? Maybe you had an "ah ha" moment long after the project was over or maybe with unlimited funding and time you would have "tweaked" the adaptation a bit?— C. Yancy

The only one I can think of at the moment is Darcy's second and successful proposal in Pride and Prejudice. Too much walking, not enough tender looks, not enough passion.

Do you believe Lady Susan, The Watsons or Sanditon could ever be adapted? You could pull it off — and the Austenites might even let you.— H. Veistinen

It's a tempting thought...maybe I will one day!

What do you think of all the prequel and sequel books to Jane Austen's novels, and would you ever consider writing an adaptation of one of them?— S. Hawkins

I have read a lot of them now and there isn't one that comes near to capturing Jane Austen's style, way with character, and expertise with plot. But I live in hope!

Have you ever thought of taking up pen, and writing a sequel to Pride and Prejudice?— R. Crader

Not seriously, but if I did, I'd take them a generation later, as parents of a rather wild and rebellious son, and two daughters, one romantic and the other sensible.

When you are writing your screenplay, do you have a particular actor in mind for a role and make suggestions to the casting director? Or, do you tweak the script to better fit the actor once they've been cast? So many actors in your projects seem tailor-made for the roles.— D. Kallgren

I don't usually think about particular actors when I'm writing a script, though I have a clear visual picture in my mind. I generally start thinking about casting when the script is complete, and I do make suggestions, and some but not all of them are successful. One of the nice things about Jane Austen is that her heroines are so young (around 20, most of them) that we can cast fresh talent, straight out of drama school, and I love being able to launch careers like that.

Have you ever pondered what happens to the characters after the novel's end? I especially would like to know if Pride and Prejudice's Lizzie Bennett truly lives happily ever after with her Mr. Darcy. She would have Lady Catherine as a disapproving relation. Darcy would have the detested Wickham as his brother-in-law, and he still would be involved with Lizzie's mother and foolish sisters.— J. Perrin

I think Austen foresaw a happy marriage — lots of clever, active children. Pemberley is a long way from Hertfordshire, so they wouldn't need to see too much of the Bennett family. Ditto Lady Catherine. Darcy would probably have to bail Wickham out financially at least once more.


In the adaptation of Pride and Prejudice, the movie seems to follow the book pretty closely until the end, when the tension of Elizabeth telling her mother about her engagement and her beginning life at Pemberly was left out. Was this a conscious decision to leave out these parts?— C. Smith

Absolutely. There is pleasure in reading a novel and seeing how all the little details get worked out, but in a drama, once the audience can sense the ending coming, I like to wrap it all up pretty quickly.


Did you find it difficult not to be influenced by Emma Thompson's 1995 Oscar-winning screenplay of Sense and Sensibility? How did you get it out of your head and go with your own version?— P. Ellison-Pierce

I liked the movie, but I thought that it (and indeed the book) had weaknesses, particularly to do with the men who get the girls. Edward is dull in the book, and weedy and ineffectual and silly in the film. And Colonel Brandon is so underwritten in the book and such a shadowy presence in the film (!!!!!) that it's hard to see how Marianne would turn from Willoughby and come to love Colonel Brandon (OMG - Rickman's Brandon? Really?!). So I did a lot of work on the men. Also, Emma Thompson junked the back story in which Willoughby seduces Brandon's ward and gets her pregnant, so I thought, "We have to foreground this." Apart from that, I looked at the movie several times to make sure that there was nothing in my script that was in the movie, but not in the book.


I really admire Davies as a writer, and would loooooove to be in a masterclass with him. I really enjoyed these Q&A, but I have to say I disagree with him with Q5 over Darcy's proposal. The book is perfect, but I think the BBC proposal is pretty excellent as it stands. Walking - yes, passion - oh yes. It was just such a massive moment that any gesture would be futile, and fail to capture the largeness and, well, extraordinariness of the moment. An overflowing joy. I think their overwhelment with their new situation is captured as near perfectly as it could be. And nary a snog in sight. (I just had to say it. It's the most hideous word!)

Pic 1: Pride & Prejudice 1995 from: Shepherd
Pic 2: Emma 1997 from: Highbury Online
Pic 3: Sense & Sensibility 1995 from: Rickmanista
Pic 4: Northanger Abbey 2007 from: MSN
Pic 5: Emma 1996 from: Corshamtown
Pic 6: Sense & Sensibility 1995 from: Zamok

Monday, 24 March 2008

Becoming Jane Quotes

I should have done this long ago, but I keep forgetting. Watching Becoming Jane again last night made me dig my old file. So here we go: the quotes. Of course, more input and additions are welcomed. So, what’s your favourite?

“Mr. Austen, I have shared the bed with you for thirty two years, and perfection is something I have yet encountered.” – Mrs. Austen

“A brilliant young lawyer - with a reputation!” - Lucy Lefroy on Tom Lefroy
“For lateness?” - Jane Austen on Tom Lefroy

“The most disagreeable, insolent, arrogant, imprudent, insufferable, impertinent of men!”
Jane Austen on Tom Lefroy

“Flirting is a woman's trade. One must keep in practice.” – Eliza De Feuillide

“Experience can recommend a man...” – Eliza de Feullide

“If you wish to practice the art of fiction, to be the equal of a masculine author, experience is vital. Your horizons must be…widened.” – Tom Lefroy

“In life, bad characters often thrive; take yourself.” – Jane Austen to Tom Lefroy

“A novel must show how the world truly is. Somehow, reveals the true source of our actions.” – Jane Austen

“Jane!” – Mrs. Austen
“What is she doing?” – Lady Gresham
“Writing.” – Mr. Wisley
“Can’t anything be done about it?!”– Lady Gresham

“Affection is desirable. Money is absolutely indispensable!” – Mrs. Austen

“No sensible women would demonstrate passion, if the purpose were to attract a husband.” – Jane Austen
“As opposed to a lover?” – Tom Lefroy

“How can you of all people dispose of yourself without affection?” – Tom Lefroy
“How can I dispose of myself with it?” – Jane Austen

“I'm yours, Jane, heart and soul!” - Tom Lefroy

“Portable property is happiness in a pocketbook.” – Jane Austen

“Irony is the bringing together of contradictory truths to make out of the contradiction a new truth with a laugh or a smile.” – Jane Austen

“Jane, I've tried! I have tried and I cannot live this lie. Can you?” – Tom Lefroy

“What value would there be in life, if we are not together?” – Tom Lefroy

“You cannot begin to imagine...” – John Warren
“Thank you for your kind attention...but... ARE THERE NO OTHER WOMEN IN HAMPSHIRE?!” – Jane Austen

“As for fortune, a young woman might depend on herself.” – Jane Austen

“My characters shall have, after a little bit of trouble, all that they desire.” – Jane Austen

Monday, 14 January 2008

If You Want to Get Ahead, Get a Bonnet

I am sitting here hanging out for the final episode of Sense & Sensibility '08 to be uploaded to YouTube, and I came across this interesting article about the Classics and television. I really enjoyed it, so I thought I'd share. Read the full article here.

"...At the soppier end of the spectrum, we may be invited to have a wallow in a gentler, less confused society than our own. The majority of the classic-novel adaptations, though, offer less straightforward consolations: reminding us that no golden age has ever existed - or that for most people, and especially most women, life might even have improved a bit over the past few centuries.

In fact, rather than being a reaction to today's society, the popularity of costume drama is, for my money, far more likely to be a reaction to the rest of today's television. After all, modern drama has just as many conventions - and quite a lot of them are looking pretty clapped-out by now.

In almost any contemporary popular drama, you can expect the women to be a relentlessly feisty bunch. The men, meanwhile, tend to be either dull, absurd or nasty. In that context, it can be a huge relief for viewers, and presumably scriptwriters, to be faced with something a little more grown-up and complicated.

The main reason, then, as to why costume dramas are still going so strong might well be an embarrassingly simple one: that they're very good. Even more obviously, they're very good not just because British actors can do them so beautifully - but because they're based on such good books.

In Northanger Abbey, Jane Austen famously breaks off from the story to offer a bullish defence of her craft against anybody impudent enough to use the phrase "only a novel".

"Only a novel," she more or less yells, "in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world."

This is why the most successful costume dramas are those that have complete confidence in the source material.

Pic 1: Kate Winslet & Greg Wise as Marianne & Willoughby from: Dailymail
Pic 2: Jennifer Ehle & Colin Firth as Elizabeth & Darcy from: Geocities

Saturday, 12 January 2008

Mr Wisley & Fanny Price Tie the Knot

I am an avid reader of the Dailymail (shoot me now) and why I never thought of posting this news sooner I'll never know.

Laurence Fox (Becoming Jane) and Billie Piper (Mansfield Park 2007) tied the knot in a romantic, quintessential English wedding on New Year's Eve. Congratulations to the happy couple! They look so lovely together.

Read the full article with pictures here. :-)


Pic: Billie Piper & Laurence Fox from: The Dailymail

Sunday, 1 July 2007

Hampshire and County Wicklow

Dear readers,

Lindafern of the Dregston/Potter message board has supplied me with the precious copy of Memoir of Chief Justice Lefroy, written by Thomas Lefroy (the old Tom Lefroy’s son) in 1871. Linda obtained the copy from Warren, hence I thank both of them for the very valuable files. Now, in this first post obtained from the Memoir, I would like to draw your attentions to the filming location of Becoming Jane (i.e. County Wicklow, in addition to Dublin, Ireland. Thanks to Rachel for pointing out the location of BJ filming in Ireland for me, by the way.)


In my previous post re: the location, I reported that BJ was shot in Ireland mostly because the modern Hampshire in UK was now too tidily groomed that the sense of rustic originality was not available there. I definitely do not object the rationales behind the location selection, and I’m sure Julian Jarrold &c thought of it in a realistic and cinematography point of view. I also think that County Wicklow made a lovely Hampshire in the movie. But after reading the Memoir, I (who personally believed that everything in this world is connected to each other) found another interesting thing about County Wicklow that connects itself to Hampshire in UK. Ready?

In July 1812, Tom Lefroy wrote a letter to his wife Mrs. Mary Paul Lefroy from Waterford. I will deal with Tom’s love to Mary in another post one day (I tend to believe that he did love her as well… though of course I fancy the thought that he could not forget Jane entirely). The following is the excerpt from the Memoir (p. 37):

I arrived here yesterday about five o’clock from Kilkenny where I completed all my business. It rained in the night, but the day took up about eleven o’clock; and so fresh was the air, so lively and beautiful all the scene from Kilkenny to Ballyeheale, that I was quite in a “Wicklow trance” all the way. To see the blessings of heaven so profusely poured out as far as the eye could reach without a single damaged ear of corn after the threatened danger of a famine, with the sun suddenly breaking out and enlivening the whole scene, made me exclaim as I reached the top of one of those fine hills, How excellent are Thy works, O Lord; in wisdom hast Thou made them all.

Man... was he not a poet, that Tom Lefroy? Anyway, according to the younger Thomas Lefroy, ‘Wicklow trance’ was a ‘household word in our family circle from the great admiration he had for the scenery of the County Wicklow where for many years he spent his summer vacations’.

Okay. There is no evidence that Jane Austen ever stepped her foot on Ireland, let alone traveling to Wicklow. That’s not my point either. My point is that it was such a ‘coincidence’ that the ‘Hampshire’ location of Becoming Jane was shot in County Wicklow in Ireland, the very place Tom Lefroy loved to spend his summer time. It was very unlikely that Hampshire and Wicklow were related in Austenian world, with the exception of in Becoming Jane… and in Tom Lefroy’s very own letter.

If the modern day filmmakers of Becoming Jane felt that County Wicklow has similar ambience with the olden days Hampshire, was it not possible for Tom Lefroy... to think of the same thing? Subconsciously, at least?

Is my spelling of ‘Divine intervention’ correct? :-D

Reference:

Lefroy, T. 1871, Memoir of Chief Justice Lefroy, Hodges, Foster & Co., Dublin.

Pic: a lovely scenery of County Wicklow.

Monday, 4 June 2007

Trivia: The Irishman

The following paragraph is found in the Original Soundtrack of Becoming Jane:

Special thanks to the Jane Austen Memorial Trust at Chawton, Hampshire for permission to study the surviving music books and manuscripts which once belonged to the Austen family. Particular thematic reference is made to 'The Irishman' (anon) in tracks 3 and 18...



In the OST, tracks 3 and 18 are respectively Bond Street Airs and A Letter; both are played during scenes principally involving Tom Lefroy. The Irishman is an original piece of music obtained from a music book belonging to the Austen family and now on display in Chawton House (where Jane Austen lived from 1809-1817). It is possible that the music book was used by Jane to play pieces on the piano for her family’s enjoyment. It is also speculated that Tom Lefroy may have given her this book. Therefore, when creating the soundtrack, ‘The Irishman’ was taken into consideration as thematic reference. The melody is particularly apparent when listening to ‘Bond Street Airs’. Visit Jane Austen’s Songbook at www.amazon.com or www.cduniverse.com for accessible track samples.

Trivia: Deh vieni, non tardar

As Rachel and I have written several trivia of Becoming Jane in Wikipedia, I just thought that it might be good to post them here as well. The first trivia is about the song Deh vieni, non tardar; I posted the entire text in the first post of this blog, actually.

The last scene in Becoming Jane shows Jane Austen, Eliza de Feullide and Henry Austen enjoying an aria performance in London. The soprano sang Deh vieni, non tardar, an aria from ‘The Marriage of Figaro/Le Nozze di Figaro’, composed by Wolfgang Amadeus Mozart. Tom Lefroy was also present in the scene but hiding behind some decorative plants whilst observing Jane from a distance. The scene was a haunting parallel to the second part of the aria as shown below:

Qui mormora il ruscel, qui scherza l'aura
Che col dolce susurro il cor ristaura
Qui ridono i fioretti e l'erba e fresca
Ai piaceri d'amor qui tutto adesca.
Vieni, ben mio, tra queste piante ascose.

Vieni, vieni!
Ti vo' la fronte incoronar di rose.

Translated as:

Here the river murmurs and the light plays
That restores the heart with sweet ripples
Here, little flowers laugh and the grass is fresh
Here, everything entices one to love's pleasures
Come, my dear, among these hidden plants.
Come, come!
I want to crown you with roses.

My heart sank to recall the particular scene, especially the look of Tom when he gazed at Jane later on. Sob-sob! Too bad, I don't have the pictures of the old Tom and Jane, but as soon as I do, I will post it here.

By the way, Elizabeth Bennet (Jennifer Ehle) also sang an aria of The Marriage of Figaro (titled 'Voi, che sapete' - 'You ladies who know what love is, see if I have it in my heart') in the 1995 Pride & Prejudice.

Pic: Jane Austen's Regency World March/April 2007