Jane Austen Quote of the Week 275
Posted by
Rachel
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17:12
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Labels: Persuasion, Quote of the Week
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| For MH17 with love |
To the last he retained a cheerful and patient endurance under suffering which often elicited the astonishment and admiration of those who attended upon his sickness. I remember in his last illness (only two days before he was taken from us), after he had spent a very wearisome night from want of sleep, and great oppression of breathing, we closed the window-shutters in the morning, in the hope of his getting some sleep; just then the physician for whom an express had been sent, arrived from Dublin. After feeling his pulse, the doctor asked whether it would annoy him if the window-shutters were opened for a moment, when he replied with a cheerful smile, “not at all, doctor, I always like to have light thrown upon a subject.”
Posted by
Icha
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20:50
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I hope you have all had a good week.
This week I realised that I have been working really hard with little thought for myself and no time taken to relax and reflect. I always seem to be chasing my tail rather than actually stopping and enjoying the moment. It led me to consider what I love and what makes me relax. Music is the best remedy to any stress, and the best tool to relax both the body and the mind, and make you happy. I was thinking about Emma and dancing and I found this quote from Chapter 38:
"In another moment a happier sight caught her -- Mr. Knightley leading Harriet to the set! Never had she been more surprised, seldom more delighted, than at that instant. She was all pleasure and gratitude, both for Harriet and herself, and longed to be thanking him; and though too distant for speech, her countenance said much, as soon as she could catch his eye again.
His dancing proved to be just what she had believed it, extremely good; and Harriet would have seemed almost too lucky, if it had not been for the cruel state of things before, and for the very complete enjoyment and very high sense of the distinction which her happy features announced. It was not thrown away on her, she bounded higher than ever, flew farther down the middle, and was in a continual course of smiles."
It of course helps if you are with a partner who can dance! This point in the novel is one of the turning points for Emma and Mr Knightley.
Have a calm weekend, and take some time for yourselves to do what you love.
Pic: Emma and Mr Knightley
Posted by
Rachel
at
20:45
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Labels: Emma, Quote of the Week
Posted by
Rachel
at
21:17
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Labels: Quote of the Week, Tom Lefroy Quotes
| Anthony Head as Sir Walter Elliot, BBC |
"Westgate-buildings!' said he; "and who is Miss Anne Elliot to be visiting in Westgate-buildings?--A Mrs. Smith. A widow Mrs. Smith,--and who was her husband? One of five thousand Mr. Smiths whose names are to be met with every where. And what is her attraction? That she is old and sickly.--Upon my word, Miss Anne Elliot, you have the most extraordinary taste! Every thing that revolts other people, low company, paltry rooms, foul air, disgusting associations are inviting to you. But surely, you may put off this old lady till to-morrow. She is not so near her end, I presume, but that she may hope to see another day. What is her age? Forty?"
Posted by
Icha
at
20:48
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Labels: Persuasion, Quote of the Week
Sorry for the delay in posting.
I have recently been doing an introduction to counselling course and it has been really eye-opening for me personally. We have covered very basic principles such as active listening and questioning but becoming conscious of these things and how we use them in everyday interaction has become really interesting.
I chose to look at communication in relation to some of our favourite novels and I was considering which characters are best to quote. My first is Lydia Bennett as she always has made me chuckle at her inability to listen and her total inappropriateness in communicating. The second quote is a favourite extract on this blog - the letter from Frederick Wentworth to Anne Elliot in Persuasion.
From Pride and Prejudice Chapter 39 Lydia Bennett is talking to Jane and Elizabeth and demonstrating her total lack of tact and comical communication.
``Now I have got some news for you,'' said Lydia as they sat down to table. ``What do you think? It is excellent news, capital news, and about a certain person that we all like.'' Jane and Elizabeth looked at each other, and the waiter was told that he need not stay. Lydia laughed, and said, ``Aye, that is just like your formality and discretion. You thought the waiter must not hear, as if he cared! I dare say he often hears worse things said than I am going to say. But he is an ugly fellow! I am glad he is gone. I never saw such a long chin in my life. Well, but now for my news: it is about dear Wickham; too good for the waiter, is not it? There is no danger of Wickham's marrying Mary King. There's for you! She is gone down to her uncle at Liverpool; gone to stay. Wickham is safe.''
The next quote is the perfect love letter from Frederick Wentworth to Anne taken from Chapter 23 in Persuasion. I used this for a valentines quote this year but I love it so using it again! Our other references on the blog have omitted the first line but this time its the most pertinent part related to communication. As part of the counselling training we have had to do numerous role plays just active listening with no use of language, it is so difficult, but incredibly effective to nurture a person to speak. Frederick Wentworth is feeling the frustrations of not being able to say what he is thinking and in this scenario it is magical when he does.
Posted by
Rachel
at
01:33
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Labels: Persuasion, Pride and Prejudice, Quote of the Week
Posted by
Rachel
at
04:40
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Labels: Pride and Prejudice, Quote of the Week
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| "Belle" movie poster |
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| The painting of Dido Elizabeth Belle and cousin Elizabeth Murray ca 1779 (formerly attributed to Johann Zoffany) |
[Edmund:] “Your uncle is disposed to be pleased with you in every respect; and I only wish you would talk to him more. You are one of those who are too silent in the evening circle.”[Fanny:] “But I do talk to him more than I used. I am sure I do. Did not you hear me ask him about the slave-trade last night?”
[Edmund:] “I did — and was in hopes the question would be followed up by others. It would have pleased your uncle to be inquired of farther.”
[Fanny:] “And I longed to do it — but there was such a dead silence! And while my cousins were sitting by without speaking a word, or seeming at all interested in the subject, I did not like — I thought it would appear as if I wanted to set myself off at their expense, by showing a curiosity and pleasure in his information which he must wish his own daughters to feel.”
Posted by
Icha
at
22:32
1 comments
Labels: Mansfield Park, Quote of the Week
Dear Readers,
Posted by
Rachel
at
23:07
1 comments
Labels: Pride and Prejudice, Quote of the Week
| The House of the Commons during Regency Era |
Posted by
Icha
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20:23
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We are rolling a petition to reprint Nadia Radovici’s 1995 book titled ‘A Youthful Love: Jane Austen & Tom Lefroy?’ that is currently out of print. Please sign for the Radovici's Jane Austen & Tom Lefroy Petition and spread the words! Thanks a lot!
Jane Austen was born on
Cast:
Anne Hathaway - Jane Austen
James McAvoy - Tom Lefroy
Julie Walters - Mrs. Austen
James Cromwell - Revd. George Austen (Jane's father)
Maggie Smith - Lady Gresham
Anna Maxwell Martin - Cassandra Austen
Joe Anderson - Henry Austen
Lucy Cohu - Eliza de Feullide
Laurence Fox - Mr. Wisley
Philip Culhane - George Austen (Jane's brother)
Ian Richardson – Judge Langlois
Leo Bill – John Warren
Jessica Ashworth – Lucy Lefroy
Eleanor Methven – Mrs. Lefroy
Michael James Ford – Mr. Lefroy
Sophie Vavasseur – Jane Lefroy
Helen McCrory – Ann Radcliffe
Julian Jarrold - Director
Graham Broadbent, Robert Bernstein, & Douglas Rae - Producer
Adrian Johnston - Soundtrack
Kevin Hood & Sarah Williams - Screenplay writers
Eigil Bryld - Cinematography
Jane Gibson - Choreography
Eimer Ni Mhaoldomhnaigh - Costume
Gail Stevens & Gillian Reynolds - Casting
Jon Spence,
McAvoy knew his portrait of Tom could only come alive with the right Jane, and he found Anne Hathaway almost supernaturally suited for the part. “I don’t think we could have chosen anyone better to play Jane Austen," he says.
Jane Austen’s greatest love story was her own
‘I’m yours, Jane, heart and soul!’
~ Tom Lefroy to Jane Austen, ‘Becoming Jane’
Anything is to be preferred or endured rather than marrying without affection – JA,
Nothing can be compared to the misery of being bound without Love, bound to one, & preferring another – JA,
To be so bent on marriage, to pursue a man merely for the sake of situation – is a sort of thing that shocks me.
The film Becoming Jane has given us an image of Jane Austen that liberates our imagination. I envy readers of my book who come to it with Anne Hathaway’s image of Jane in their mind’s eye. You will not have to struggle against the image Cassandra created to see the Jane Austen who was young and pretty, lively and in love. Anne Hathaway’s skilful portrayal of Jane Austen in Becoming Jane shows that art can have as much power to bring us closer to the truth as facts themselves can.
Jon Spence,